Sunday, February 21, 2010
I did not become interested in sculpture from a fine art background. I was fascinated by miniatures and special effects that employed puppets and scale models designed for tricking the viewer through photography. This interest developed my sculpting ability until I was able to experiment with ways of making miniature figures that looked realistic when photographed under certain conditions. Frankenstein sculpture done for a photography contest. Got an honorable mention.
The angel sculpture was done for a special effects photography experiment. I was frequently asked if the sculpture still existed-and after hearing disappointment when i explained that the sculpture was recycled after it was photographed I started to look at ways to preserve it.
I did some fine art style decorative sculptures as experiments and as freelance work. Mostly hated it. Non-narrative art is very boring to me.
Classical statues, birdbath designs etc.
For my own personal work, the subjects were often based upon sword and sorcery--either Arabian Nights, or Conan inspired, or historical figures like Robin Hood. And a little bit of futuristic/outer space fantasy.
Usually because costume was tedious to sculpt and I was interested in improving the sculpting of bodies-so the more naked the better.
I started by using hydrostone as a casting material--but as I found molds difficult to make-I eventually turned to polymer clay-and made a few pieces with it. But this was not a satisfactory material for a few reasons so I looked into epoxy clay-which was much stronger but harder to work with. I spend a lot of time making the figure faces realistic by adding a transparent eye effect and also miniature eyelashes. A small detail and difficult to add but I like doing it.
Perseus Fleeing the Gorgons' Lair. Ray Harryhausen liked it.
Eventually I used a combination of hydrostone(for heads) and polymer clay or epoxy clay for bodies.
I did some costume sewing but doubt I will try it again.
Now I am experimenting with using all epoxy clay--pressing it into molds made from clay originals.